Arnaud Maïsetti - Scènes déchirées de l’Europe. Krzysztof Warlikowski, passer par le théâtre
Aix-Marseille Université
LESA, EA 3274
arnaud.maisetti@gmail.com
Résumé
Abstract
The work of Polish director Krzysztof Warlikowski is questioning Europe, its history, drawing from its founding myths, sacred and political, the images capable of staring at it in the face. A unique territory with multiple peoples where Greece is known to have brought democracy and drama, where World War II was largely an European civil war, a ritual of sacrifice too. The ultimate tragic space. A torn space in which Warlikowski’s theater works and that he works: tearing apart identities (national, cultural, sexual ...), consciences and bodies, which seems to be the political dramaturgy of this scene. His last works, above all, weave a raging dialogue with the unthought of Europe. Far from documenting History, they try to find receding lines: because it is based in the bodies of actors with aberrant identities, this theater offers a unique counter-History capable of avenging history, to find ways out of its tragic aporias.
Mots-clés : Théâtre, Warlikowski, Histoire, Tragique, Politique, Corps, Identitése.
Key-Words : Theater, History, Politics, Bodies, Identities
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Consulté le 1 septembre 2024